Tagged: samples

RAW converters: are they equal?

While I typically use Adobe Camera Raw (otherwise known as ACR, included with Photoshop) to process my RAW images, I’m always looking for other RAW conversion applications that may deliver higher quality or other improvements. There have been a number of RAW converter updates released recently, particularly Lightroom v3 beta, and CaptureOne v5, making a comparison very timely. LR3 beta contains a beta version of what will be the processing engine for LR3 and the next version of Photoshop/ACR, and there have been numerous improvements made to the program. While I did use CaptureOne a few years ago, I have never warmed up to the workflow or the look and feel of the images.

At this point I’m using Bibble 5 under Ubuntu (Linux), for photo organizing, such as culling images, keywording and other asset management tasks. Any images I select for processing are then processed under ACR in an XP VM. While it’s not the most ideal solution, Lightroom does not run natively under Linux, and although it does offer excellent RAW conversions, there are significant performance advantages to running Bibble, both due to its architectural speed advantages, but also by running it natively and not in a resource-constrained VM.

Without further ado, here are some samples of an image processed in various converters, using the default settings.

Bibble 5 (preview 2)

Canon DPP

CaptureOne v5

Lightroom 3 (beta)

While CaptureOne has great detail extraction, it’s noise handling is not as visually appealing with lots of fine grain; while perhaps not that apparent in this photo it’s my experience in general. Bibble 5 offers good conversion, but needs more tweaking to get similar looking images to the other converters, and exposure and levels can initially be quite off. LR3 has more pleasing noise characteristics and delivers warmer tones using the default (as shot) WB setting. Canon’s DPP offers excellent RAW conversion, as one would expect from manufacturer supplied software. The workflow is clunky enough with fewer adjustment options that I don’t even see DPP as a viable competitor.

I haven’t decided which program I will use for my 7D images, though it will likely be ACR. The image quality is lacking at this point with the beta profiles, so for the time being Canon DPP or CaptureOne 5 would be better options. I’m still enjoying the 7D, and it’s easily the most impressive crop body I’ve used so far. One thing I’ve really noticed is the faster card write speeds, and even when shooting in L-JPEG + RAW I didn’t run into the small 6 shot buffer limit too often. Even though I was using a non-UDMA Sandisk Extreme III card, the large 18MP images were still dumped to the card very quickly. By comparison, on the 1D III I would often fill the 30 shot RAW buffer and then wait a considerable amount of time for it to clear. The 1D IV will be even better in this regard, offering a 10% larger buffer than the 1D III, which is much larger than the 7D’s, while writing at similar speeds as the 7D.

Canon 7D Review – Part 2: Field Test

I managed to take the 7D out for a few hours of test shooting. With few subjects around I couldn’t test the AF to the limits, but had several opportunities with birds in flight. I will add more samples in the weeks to come to illustrate the image quality a bit further, both at high ISOs and hopefully some extended tracking sequences to show the AF capability.

Battery life

What immediately struck me was that despite using the same battery as the 5D Mark II, the 7D appears to be more power efficient. It should be quite possible to achieve 1200+ shots per battery, compared to a maximum of about 800-1000 in my experience with the 5D II (I’m extrapolating a bit, so YMMV). Needless to say, battery life won’t be an issue unless you shoot video or review images a lot, and the 7D offers respectable battery life even if it can’t quite touch the 1D which gets to 2000-3000+.


With few ducks around I had to rely on gulls to test the AF on birds in flight, which admittedly aren’t quite as challenging as small, fast flying ducks. The 7D seemed to track beautifully, even against busy backgrounds the zone and 19 point AF would track well, as long as there was enough contrast between the bird and the background and the bird wasn’t too small in the frame. Of course, this type of shooting is much better suited to the single point AF selection mode.

One new feature on the 7D is that it’s now possible to have the camera display the AF point it has selected when shooting in AI Servo and not manually selecting a point. It’s a great addition and allows you to confirm what the AF is tracking and gives valuable feedback to the photographer.

Overall the focusing felt similar to the 1D III, about the same in acquisition speed and I’d say even better in tracking, as surprising as that may sound. The extra AF modes also allow for more flexibility, and I think the zone AF mode will be more useful than single point + expansion for birds in flight against a clean background, simply because you don’t have to keep the AF point right on the bird and it gives more room for error. Using all 19 points seems to be much more effective than using all 45 on the 1D, The one noticeable difference is that when acquiring a target that’s really out of focus, the AF will search for a subject, but often not long enough to actually acquire the subject, or it may lock on while still very misfocused. This is similar to my experience with other prosumer bodies, while only the 1D tends to search for focus long enough to accurately acquire a grossly out of focus target. In practise this is probably not a significant concern.


The body feels fast overall, with a more muted shutter sound than the 1D, but shooting at nearly the same speed. The new ergonomic enhancements are a great addition and the body feels great in the hand, even without a grip. By comparison the 5D II feels much more cheaply built and the combination of the shutter sound and burst rate contribute to feeling of it being a lower-class camera. In addition, the viewfinder feels similar to the 5D II or 1D III, despite the smaller sensor and increased crop factor and is a joy to use, especially with the extra spacing between the viewfinder and the LCD (as with the 1D), leaving a bit more room for your nose!

While the 1.6x crop factor can cause issues with framing being too tight at times, it’s a great help for wildlife under most conditions, where you are typically always in need of more focal length. I had forgotten how nice it was to have a 1.6x FOV when shooting birds, and with 18MP, the ability to put many pixels on a bird is not to be dismissed.

White Balance & Metering

The white balance mode seems to have been significantly improved. I often get results in automatic WB (AWB) that look similar to what I usually use cloudy WB (for warmer colour temperatures) on my other bodies. This can take some getting used to as it’s now possible to rely much more on AWB. Metering has been revamped with the iFCL system and more metering zones. While it is more intelligent than before, one still has to apply correction, especially if there are white highlights in a small portion of the frame, particularly with the rest of the frame being darker in tone. However, this is to be expected from any metering system that uses most of the frame to calculate exposure, and can’t really be attributed as a flaw. For more consistent results, spot metering would work best under those circumstances.

Sample Images

These are all unprocessed images, uncropped and straight out of the camera as JPEGs.

Ring-Billed Gull

Herring Gull - 800mm f7.1 ISO400 (those are water ripples and not banding!)

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800mm 1/320 f5.6 ISO800

Northern Cardinal - 800mm 1/320 f5.6 ISO800

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800mm 1/250 f5.6 ISO800

Black-Capped Chickadee - 800mm 1/250 f5.6 ISO800

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800mm 1/640 f7.1 ISO400

Green-Winged Teal - 800mm 1/640 f7.1 ISO400

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The noise levels and detail at ISO800 are still extremely good. I would be hard pressed to say the 1D Mark III is much better once the filesizes are equalized for a proper 1:1 comparison. In bird photography, typically when you need extreme ISO (3200+), the light quality isn’t worth shooting in, but I will try to post some real world very high ISO samples soon.

Overall I’m very pleased with the image quality of the 7D. While the results are not quite as good as what a larger sensor would give you, I think the reputation it already has for being the lowest noise crop body is well deserved. While there certainly is noise, it’s nicely controlled and in a pleasing pattern, with no banding to be seen. This also makes it very easy to clean up. The 18MP resolution also gives a lot of flexibility for cropping or printing large prints, and this is especially useful for wildlife photography when you are often cropping. It’s clear to see that especially with an excellent lens attached, fine detail is superb and these files can be heavily cropped.

Closing Thoughts

The 7D delivers a punch in a smaller package, with performance not too far off that of the much larger and more expensive 1D series. I could see this becoming the body of choice for anyone into bird or wildlife photography, and particularly for those who want to save money over the pro bodies but still enjoy excellent performance. I only wish Canon would use the 5D II sensor in a 7D body; as good as the 7D is, a full frame sensor will always have the image quality edge, and having a full frame, high resolution small-bodied camera would be fantastic, with the major detriment of the 5D II being its autofocus and less than professional class body . That said, having both the 5D II and the 7D in your bag would be hard to beat, and ably cover all applications from landscapes to birds. I foresee myself using the 7D for focal length limited situations, such as more distant waterfowl and small songbirds, when the light is good. I do look forward to what the 1D III’s successor brings, and will probably use that as my primary body with the 7D as backup, or when pixel density is of concern.

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